Showing posts with label chanting. Show all posts
Showing posts with label chanting. Show all posts

Saturday, June 25, 2011

(10) HE LOVES ME... HE LOVES ME NOT




Malik brought her back from her musing.

“Sista Saadi I was thinking about you this morning.  I began to imagine making love to you but I stopped myself.  I would not ponder those thoughts, out of respect for you and for my queen.  I must remain strong.  I love her.  She is away and hopefully I will see her soon, but sista I do have thoughts of you.”

So he did want her too.  He wanted to lay down with her, to know her, to have knowledge of her “lotus garden”.  Was that all he wanted?  Did he want to travel to the corners of the universe, or did he just want to fuck?

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My heart is racing, I am wet, throbbing, wanting, intensely.  Be still and listen, don’t jump so fast.  Be you, not how you think he sees you.  But do I even know how to do that anymore.  Do I know how to be me anymore? I’ve been winging it for so long.

Saadi lived in New York for several years and New York was more cosmopolitan than Black. Though Blacks in the North usually believed they were far ahead of Southern Blacks in freedom awareness, still to Saadi they had lost touch with deep parts of their Afro-centric culture, parts Black people in the South took for granted yet still remembered. During her last semester in grad school Saadi went to Jamaica.  It was like an awakening.  She experienced a re-connection to her African roots.  It felt so natural like she was visiting her cousins down in North Carolina.  She went back more than once.  She fell in love with the culture.  In many ways it felt more natural than American culture.  



It was like she reformed connections to parts of herself, parts that felt very old even ancient. Jamaica was the type of place where she should live. Saadi determined an exciting future; work in Africa or the Caribbean, a home, family with one strong distinct Brutha by her side.  She visited the National School the Arts and met with its Director about working there.  And she fell in love with a Rasta who accepted her religion.  She found out that many of the Rasta teaching were the same as in Buddhism.  She made plans to move there.

But reality had a different scenario in store.  Saadi graduated within a year.  She had a prestigious Master’s Degree in her hand, however she also had a baby in her belly and with no strong distinct brutha by her side.  In fact, she gathered her tail between her legs as she returned home alone.  Saadi put the lost & found sections of herself, her plans, her dreams, and her hopes on hold.  Single parenting, elder caregiving, and economic survival become the priorities.



After a time, she could not ignore that hollow void that the Caribbean had awakened, so she sought out “loc people” thinking they would provide some fulfillment.  She believed they would help relieve Saadi’s thirst for African culture.  She worked with an African dance group while she was pregnant, performing at eight months heavy.  The audience was fascinated by her ability to dance while so pregnant and gave her a loud round of applause when she bowed.  Saadi loved the dancing, she could feel the baby moving inside her as she danced to the drums.  During rehearsals she formed a close friendship with another dancer who hung out frequently at a Loc Shop. She took Saadi with her on one of her visits and introduced her to the regulars.  Saadi was so happy to see them.  She had been lonely for people that loved their African ways and showed it.  She was reminded of the life in the Caribbean that had eluded her grasp.


Many of the loc people’s ways came natural to Saadi, things that were already a part of her lifestyle, a vegetarian diet, African clothes, incense burning, Reggae and African music, books and videos about freedom fighters and Black leaders, American as well as from other cultures of the African Diaspora.  She was sure they would show her the way back to her black consciousness, the consciousness she felt she lost, the one she rediscovered when she was in Jamaica.

Saadi quickly found that it was not like the fantasy in her head.  There were so many rules, how to dress, wear your hair, talk, walk, eat, read, what to watch on TV, and you had to be angry, really angry, all the time.  To Saadi it seemed that in this loc group, a person that wasn’t angry all the time was considered weak and blind.  Saadi knew she was neither weak nor blind.  She had always been a warrior.  Even as a student applying for college her own parents refused to let her travel any further South because they feared her warrior ways would get her lynched.  Saadi did not know how to bow down to the others, the non-blacks.  She did not want to know how to bow down to them, but does being warrior mean being angry, all the time?




Frequently among the loc people there would be lively discussions and debates on politics, culture, and world situations, however, when Saadi brought up Buddhism it often produced an angry reaction.  They would shout something about it being the white man’s religion or even worse the China man’s religion.  Other times they would laugh and look at each other, having that “Poor thing she doesn’t know any better” look in their eyes.  “She’s just another dumb mis-informed Negro.”

They didn’t know.  How could they?  I am just beginning to explore this and to understand it myself and I have been practicing Nichiren Buddhism for many years.  How do I show them how truly its roots connect to Africa too? How Buddhism is free and warrior whether past, present or future?

It got to the point that Saadi couldn’t even bring up Buddhism without being verbally ambushed.  In groups she would frequently side step potential traps on philosophy and dodge landmines about ideology.  In other areas of her life, like work, there was the opposite effect, Saadi was not mainstream enough.  However, her co-workers did seem to accept her difference more readily, at least overtly.

Saadi found points of compromise with her dress and cultural expressions at her job, she called her style Afrocentric corporate attire. She used the same bright colors but in rayons and soft cottons, materials that draped.  Instead of complete tops and bottoms she mixed in trendy blouses and pants, added belts and vests, boots, and various styles of jackets.  It was her own unique expression.  She discovered ways to style her locs so that the conservatives like the white bank officers and Black church elders felt more comfortable around her.  She found that if she did this she had a better chance of presenting her ideas before being perceived stereotypically, a Black woman with Dreadlocks, scary.

The diversity of the worlds she lived in sometimes had Saadi feel as if she walked on the razor’s edge. She would sometimes joke that she was “Sista From Another Planet,” feeling like an outsider in most of her relationships and settings.


Yet each relationship also brought value. There were those times when many of the Loc House sistas would hang out together and go to a Reggae concert.  They would captivate the people at the clubs because everyone would be dressed in African splendor.  They wore their clothes with ease.  You could tell they were not in costume once or twice a year for Kwanzaa or Black History month celebrations.  Saadi’s outfit would be less elaborate because of her Yankee-African style mixture.  Sometimes they would pose as an African or Caribbean delegation.  Saadi would act as the delegate host functioning as interpreter or liaison.   This was lots of fun and would sometimes get them free entry or at least an upgrade in seats at concerts.

The Loc House was the center for a lot of rebel work.  For all of the marches they loaded too many buses for the counting, the Million Man and the Million Woman Marches.  They held dance and drums sessions and they had one of the few African paraphernalia collections in the area.  During Christmas and Kwanzaa this was the place to be.  There were some at the Loc House that showed Saadi “much respect” and she enjoyed being around them.  They taught her a lot of things.  They reminded her of the Rasta elders in Jamaica and West Africans from countries like Ghana who said her Buddhism reminded them of their old religions from before before.  Even though they were unfamiliar with Buddhism they respected her right to practice and saw some connections between religions. Saadi enjoyed when they would dialogue about their philosophies, sharing faith.  These times were golden. Saadi wished it was the same with more of other locs but the number of ridiculing experiences began to escalate.  It was becoming apparent that she would not be able to hang out so much at this Loc House and remain true to herself. 

Wednesday, March 9, 2011

(5) SAADI'S QUEST: Vision Quest - Part I


VISION QUEST - Part I


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She held her breath as she knocked on the door.  You had to knock loudly, since there was no outside intercom at the building.  Her breath came quicker, more shallow and rapid.  She stepped back and looked up through the door windows.  Her heart began beating faster now, her pulse increased.

I feel like I’m up on a ledge, a platform, a stage, a slave dock, up for review.  Courage girl, just look natural.

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Up at the top of the stairs a head appeared as long locs escaped, spilling, falling out into the hallway.  She caught her breath and felt her body respond.

There he is.  Oh please be glad that I’ve come.  If only I could see his eyes then I would know.  See them before a mask of second-handed politeness and pleasantness appears.  Calm down you can’t do anything about that.  He’s smiling and, oh my gosh, he’s coming down the stairs.

Even though it was Fall…why did they say “Fall,” did it descend from the high place of Summer, down through Fall into Winter, only to Spring once again to the heights of the Summer Sun’s warm return?  Is that what the Egyptians thought?  How can my mind be wandering like this?  Stop, Stop NOW!

Even though it was Fall he was wearing what she called the muscle man or wife beater T-shirt, the one that shows his shoulders and biceps.

“Sister Saadi, Greetings.”

“Greetings Brother Malik I came by to …” 

Whatever she said, it was an excuse.  She came to be around him, to smell him and feel his energy, or better said, to feel her energy when around him.  As he turned to go up the stairs she noticed the curve in the small of his back, a curve like the one in the back of the archer horseman, Sagittarius.  It curved into muscular hips, the hips of an athlete, of a man in touch with his body.

In touch with your body, in touch with your soul. 

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There was a layer of sweat glistening all over his body.  The dampened T-shirt showed his muscles even more distinctly.  He turned and began walking back up the steep narrow stairs.  Saadi followed.

“I just came from running.  It was good.  It always helps to clear my head.  It sharpens my mind.”

As he spoke he scooped his locs that fell deep down his back, up onto his head.  His maneuver captured and entwined them simultaneously, the locs serving as the holder and the held.  Saadi as always stayed back at the foyer.

I must wait until he invites me in.  A man’s apartment, girl you are too much!

Even though she likened herself a “Renaissance Woman” strict southern upbringing periodically caught her off guard, especially when dealing with behavior under the heading of “lady like.” Here she was still rooted in the foyer by the door, all conflicted in roles, but she sure wasn’t going to back away, not now.

“Come in Sista, come on in,” Malik called from somewhere deep in the apartment.

As Saadi entered the room she saw artwork all over the floor.  Some huge pieces as tall as six feet and taller rested against the walls.  Pieces of the sea were all around her.  It felt like a haven.  For so long she had felt the absence of art and artists, people who, like herself, look at life using art as one of their primary lenses.  Whether with visual artists, performing artists, writers, creative creators, when she was among them she felt more at ease.  That was how she felt with Malik.  When she was around him she felt more at ease and at the same time more invigorated.

Saadi finally spoke, “So you have been working again.  These pieces are wonderful.”

"Nappy Locs" painting by Gwendolyn Frazier   
As Malik walked back into the room he began to talk about the difficulties and frustrations he was having with his work.  He wanted it to be seen by more people.  He wanted to make a living from  his love, his art, his calling.  He wanted to give up his regular job on the sea and have his art be his sole income. In fact he had recently quit his seaman’s job with that intention but his work was not selling. People were not willing to pay what he felt his work was worth. On top of that he was having what a writer would call “writer’s block”.  He brushed past her.  She felt an electric spark.  No, it was more of a wave, an invisible ripple that spread through her body, followed by a sensation like mint.  Mint on the edge of her senses, delicious.  

Oh gosh! I’m moist.  I wonder if he can smell it. Does he have any idea of the changes I go through just being around him?  I wish I could talk to him about this but I don’t know what to say or to ask.  Is this spiritual, sexual, just an emotional flush, or a sexual fantasy? Gurl, all women probably feel like this around him and as fine as he is probably some men do too!  Just look around him.  There’s always a line of drippin’ females.  Am I just another “bitch” in heat?


To be continued...